Cats (USA, Spain, Great Britain)

Our cat and companion Beck (left) was put to sleep last week. He shared our home for 16 years. Beck would sit next to you and lay next to you and was a great comfort. Often he would meow and turn his head to look at me as he was heading into the bedroom. I knew he wanted me to lay down on the bed. He would then jump up on the bed, circle about three times at my side and lay down next to me. We often dozed off together—comforting for us both. I miss him.

I’ve been thinking of other cats who have shared my life, Wolsey being the first. He could leap vertically six feet and grab a shaking stick. And then there was Lance, found on the street on a snowy New Year’s Eve. And Fluffy, our kids’ favorite. Oddly, I never wanted for a cat. The children had wanted cats, and my wife too. Other cats simply found me and agreed to share a life. I’ve been enriched by each one.

There have been hundreds of cats featured on stamps. I don’t collect cat stamps, but with Beck’s passing I began to look at some of those stamps. Here are a few I was drawn to: The gray Burmese shown on the 22-cent U.S. stamp of 1988 (along with the Maine Coon) looks just like Beck: gray fur, piercing yellow eyes. That stamp was one of a set of four, each featuring a pair of cats of different breeds. A Maine Coon lived next door and would wander our neighbors’ back yard (and ours), but would always return home when called. Beck, on the other hand, shot out our door a few times. I chased after him and couldn’t find him, but he lay outside our door the next morning. We became more vigilant when he was nearing an open door, and when we moved to an apartment he showed little interest in leaving.

The 1930 airmail stamp from Spain shown here, one of a set of eight airmail stamps honoring pioneering aviators, is the first instance of a cat appearing on a postage stamp. and his cat Patsy is shown at the bottom right of the stamp. This stamp honored Charles Lindbergh. The eight stamps promoted the Ibero-American Exhibition (Exposição Ibero-Americana de 1929) which took place in the Spanish city of Seville. It opened on 9 May 1929 and closed on 21 June 1930. The purpose of the exposition was to improve relations between Spain and the countries in attendance, all of which have historical ties with Spain. The exposition was smaller in scale than the International Exposition held concurrently in Barcelona from May 1929 to January 1930. Patsy was a frequent passenger on Lindbergh’s flights and could often be found curled up on his plane’s tail in the hangar (right). When asked why Patsy didn’t join him for the famed trans-Atlantic flight. Lindbergh said, “It’s too dangerous a journey to risk the cat’s life.”

In 2022 Great Britain issued a sheet of 20 stamps featuring cats. 18 of the stamps show different cat images. Two of the stamps are duplicated on the sheet—why, I don’t know. I think those of you with cats can identify with many of the poses. It was that s-t-r-e-t-c-h-i-n-g cat on the £2.55 stamp that initially drew my attention. Beck liked a good stretch.
To learn more about cats on stamps check out the “Cats On Stamps” Study Unit of the American Topical Association.

Birdhouses on Stamps? (Denmark, Great Britain)

About four weeks ago on a sunny day I photographed my favorite neighborhood birdhouse (“The Hippie Camper”) with its swirling paint job and back end which has come unattached at the base. I’m thinking birds live here no more. The following week the snow came. Birds probably still didn’t seek shelter here, but who knows?

I got to thinking about birdhouses on stamps. Were there any? I explored a bit and found two (Denmark and Great Britain). That’s a small number compared to the many,  many birdhouses in my neighborhood, but it’s a start. Perhaps you know of more and can let me know.

And how about stamps on birdhouses?

 

 

 

 

The Script Cancel Returns with a Vengeance! (Great Britain)

In the late 19th century, stamp use was often indicated with a manuscript cancel, especially on revenue stamps. The cancel was applied with a nibbed pen and ink. Today, the script cancel is making a comeback. We’ve all received mail cancelled by the hand of zealous postal workers. The nibbed pen is gone, often replaced with a broad-tipped black permanent marker. These cancels have been the subject of numerous complaints in the philatelic press, because they deface beautiful stamps and at times are even an insult to properly cancelled mail items. More than once, however, I’ve considered starting a specialized collection of these cancels. But then I think, “To what end?”

A favorite of mine is the First Day Cover displayed here, thoughtfully prepared by a philatelic friend using the “World of Literature” stamp from Great Britain’s Millennium Collection set of 1999–The Artists’ Tale. You can guess my reaction when I found this letter in the mailbox: “!#..!*#” But the cover also intrigues me. This could be the centerpiece of my contemporary manuscript cancel exhibit. This particular script cancellation is well-considered and undoubtedly from a practiced hand. Note how many of the lines mimic the angles of the book illustrated on the stamp. Also note how many lines crisscross. (Crosshatched cancels were common in ‘old’ days.) The energy and overall positioning of the script on the stamp is also appealing. Finally, what a marvelous sequence of juxtapositions: delicately articulated postal cancel and frenetic script cancel; quill pen from days of yore and ballpoint pen scribbling today; postal cancel ‘kissing’ the stamp’s bottom edge, and script cancel smothering entire stamp; two postal workers displaying quite different approaches to the same task.

I love this cover.

Trees and Houses…I just like ’em. (Great Britain, Liechtenstein, Slovenia, USA)

Why do I collect stamps? The images! Many collectors want to delve into the meaning behind those images—to explore. I do that too, but oftentimes it’s simply the imagery that excites and satisfies me.

I always look closely at stamps featuring houses and trees. Why? I’m just interested in the amazing variety of structures people build for themselves.

And trees—they don’t entice like flowers, but the simplicity of their appearance—trunk, branches, leaves—has more affinity for me. And maybe it’s their size too. Maybe it’s because I climbed so many as a boy and could hide in the cover of their leaves—watching all from above. And maybe too it’s because we children could play with our little cars and soldiers and cowboys in the raised roots of the fat old oaks behind our house.

Perhaps I’m a topical collector. I haven’t organized a collection of either houses or trees, but when I’m ready, my first stop will be the American Topical Association. There I’ll find others who share my interests, as well as the ATA’s comprehensive topical stamp checklists.

Let me know what your favorite stamps are that picture houses and trees.

 

WWI Beckons (Great Britain, Slovenia, Ireland)

For five years many nations have been marking the 100th anniversary of the years of WWI with postage stamps. We’ve forgotten most of those issues, just as that war is a thing of history to us—with no personal meaning. Today’s mass murders trouble us greatly, as they should, and yet WWI accounted for some 15 to 19 million military and civilian deaths—averaging more than 10,000 a day. And like all war, it didn’t have to be.

Those WWI commemorative stamps generally feature photographs of military personnel and monuments, but a few affected me.

In 2017 Great Britain issued a set of six WWI commemoratives. The four above spoke to me. The shattered red poppy told of peace shattered by war. Private Lemuel Thomas’ life-saving Bible was for me an ironic image. How many millions on both sides of this tragic conflict professed true faith in the Bible? The tombstones in Belgium, at stamp size anonymous, whisper wasted lives. And Isaac Rosenberg’s poetic words from Dead Man’s Dump of 1918, “Earth has waited for them, All the time of their growth,” testify to the human tragedy. (Rosenberg, an Orthodox Jew from Gloucestershire, was killed in 1918 after returning from a night patrol near Fampoux, France, most likely be a sniper.)

This year Slovenia issued a visually haunting interpretation of that endless field of tombstones. The ethereal shape created by the varying light and dark crosses are a mist of millions of lives lost…most now forgotten.

Also this year Poland, whose designers are known for graphic directness, presents us with the choice that faced nations 100 years ago: flowers or explosives. That choice continues to face us. Too often the decision is disastrous.

Ireland’s literary approach to Armistice Day is twice strong. Canadian physician Lieutenant-Colonel John McCrae’s 1915 poem is familiar to many of us, and is always worth a reflective read:
  In Flanders fields the poppies blow
  Between the crosses, row on row,
  That mark our place: and in the sky
  The larks, still bravely singing, fly
  Scarce heard amid the guns below.

Finally, from Thomas Kettle’s 1916 poem To My Daughter Betty, the Gift of God:
  Died not for flag, nor King,
  Nor Emperor, But for a dream,
  Born in a herdsman’s shed, And
  for the secret Scripture of the poor.
Kettle, a Member of Parliament, joined the Irish Volunteers in 1913 and died in 1916 on the Western Front.

Consider these stamps. Click the links above and read these poems in their entirety. Tell me what you think…and feel.

Extraordinarily Beautiful CAPEX ’87 Exhibition Card

Canada’s Third International Philatelic Exhibition, CAPEX ’87, was held from June 13 to 21 in Toronto. In conjunction with CAPEX, Great Britain issued an Exhibition Card with the 31p and 34p Flowers stamps of 1987 affixed and cancelled 13 June 1987 at Edinburgh Philatelic Bureau, with CAPEX 87 cachet at foot. The stamps, two from a set of four, feature the exquisite photography of Alfred Lammer. The Card was printed by Debden Security Print in two color intaglio and two color lithography.

This Exhibition Card with its intricate patterning, extraordinary engraving and beautiful stamps can be purchased for a pittance, and yet it’s one of the most beautiful objects in my collection!

“Hats Off” to Stamps!

This website is about enjoying stamps and sharing that enjoyment. Though hats really aren’t my thing, these 2001 British stamps featuring contemporary hat design amazed me when I first saw them. And I’m still amazed. So…”Hats Off to Stamps!” I’ll be featuring other stamps that amaze, intrigue or mystify me on this website.

What stamp/s or aspect of collecting do you enjoy? Let me know. Comments to posts are welcome. Do you have any questions about stamps or stamp collecting? Ask.